This project seeks a method of using warped plywood for the construction. We embrace bending and distortion through sewing techniques—a low-tech, no-power method that resists the dominance of digital fabrication and precision tooling. While the frame assembly involves some powered tools, the pavilion’s central construction relies on joining through tension and touch.
Catherine Wilmes, Eduardo Cilleruelo Terán, and naïve practice (Il Hwan Kim)